This source is a DTS 5.1 mix and is not streamable.

Related Music (Beta) question-dark

Versions - Different performances of the song by the same artist

Compilations - Other albums which feature this performance of the song

Covers - Performances of a song with the same name by different artists

Song Title	Versions	Compilations	Covers
Tuning
Shakedown Street >
C.C. Rider >
It Takes A Lot To Laugh It Takes A Train To Cry
Black Throated Wind
High Time
Cassidy
Deal
Tuning
Help On The Way >
Slipknot >
Franklin's Tower
Estimated Prophet >
Dark Star >
Drums >
Jam >
Dark Star >
Space >
I Need A Miracle >
Standing On the Moon >
Turn On Your Lovelight
It's All Over Now, Baby Blue

Notes

Source Info



SBD (shnID = 89085)

SBD Dat(2) stored on Ampex 467 DAT Tape

Transfer: DAT from the collection of Todd Evans

DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif

innterconnect ->Lynx Two Soundcard (spdif in) -> Wavelab 6.0

Transferred 12/09/07

Editing: All editing and mastering by Jamie Waddell

A **GEMS** Production www.shnflac.net





AUD (shnID = 96422)

Recorded By: James Young and Clay Brennecke - clayb@fobdfc.com

Lineage: Master DAT > B&K 4011 110 degrees ORTF > Neumann BS 48i-2 >

Modified Sony TCD D-10 Pro

Transfer: 16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->

LynxTWO-B Audio Reference Interface (SPDIF in) ->

Wavelab 6.0 by Todd Evans (todd@bluedakota.com) October 30, 2008

Editing: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station.

Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither

Encoding by Dazed64. Tracked in CDwave, FLACd Flac Frontend level 8

Tag & Rename for FLAC Meta-Tagging.

A **GEMS** Production www.shnflac.net



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Tech Notes



Jamie Waddell sent me the 16/48 waves files as one long track

for both the SBD and the AUD. CEP2.0 was used to align & synch

both sources time compress and expand). SF8.0 was used for the

EQ setting on the LFE and CTR channels. SF8.0 used to adjust the

volume for the center, surround and LFE channels. SF8.0 used to

adjust the volume for the center, surround and LFE channels. SF8.0

was used to perform the hard limiting on the LFE channel. Surcode

CD Pro DTS was used to encode to DTS. This incorporates 6

channels of DTS encoded 16/44 wave files.

- Mixed by dan@am-dig.com

- FLAC conversion 18-MAR-2000

- Artwork by dan@am-dig.com 300dpi - For best results

print at the highest resolution onto glossy photo paper.

Design for use with a clear, slim, double CD case.



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DTS-Audio-CD Info



Front

Left Channel SBD

Right Channel SBD



Center

Mono Mixdown Left/Right -5db D'EQ SBD



Surround

Left Channel -2db AUD

Right Channel -2db AUD



Sub/LFE

Mono Mixdown Left/Right -3db D'EQ SBD



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Notes



d1t06 "High Time" - 2 small digi snits have been fixed



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Lineup



Jerry Garcia (guitar, vocals)

Bob Weir (guitar, vocals)

Phil Lesh (bass)

Vince Welnick (keyboards, vocals)

Bruce Hornsby (grand piano, according, vocals)

Mickey Hart (drums, percussions)

Bill Kreutzmann (drums, percussions)



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More On DTS



Today's audio standards are moving towards multi-channel sound

like DTS, Dolby Digital and DVD-Audio. While the Audio-CD

standard (Red Book) hasn't changed to accommodate these new

sound formats, it is still possible to go around the

specification and to put a 5.1 surround recording on a

regular Audio-CD. To play a DTS-Audio-CD you must connect

your DVD/CD player via a digital cable (optical or coaxial)

to your DTS Dolby-Digital receiver. It is not 100% sure that

your receiver will recognize a DTS-Audio-CD, so the first

time you're trying to playback a DTS-Audio-CD you must do

a test to determine if it can. Begin with the volume very

low, start the disc and rise the volume gradually. NEVER

listen to a DTS-Audio-CD through the analogue audio outputs

of your CD/DVD player.



Burning Instructions

Burn them the absolute same way as you would burn any normal

Audio-CD from FLAC files.



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Additional Formats



This show is available in the following formats:



1. The SBD and AUD sources listed above at 16/44

2. The AUD sources listed above at 16/48

3. CD-Audio Stereo SBD+AUD Matrix Mix at 16/44

4. CD-Audio 5.1 Surround Sound DTS-Audio-CD at 16/44

5. DVD-Audio Stereo SBD+AUD Matrix Mix at 24/48

6. DVD-Audio 5.1 Surround Sound at 24/48 (6 channel x 24/48)